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Dynamic 2026 Event | Fall Dance Intensive

 

Join us for our Annual Fall Dance Intensive


Date / Location


Sunday, October 18th,2026
@ Move With Grace Dance Studio
400 Collier MacMillan Dr. CAMBRIDGE, ON  N1R 7H7


Registration Package

EARLY BIRD RATE UNTIL OCTOBER 1ST!


Click here to download the full registration package:

DYNAMIC FALL DANCE INTENSIVE 2026 REGISTRATION FORM

 


Schedules


 


2026 Guest Faculty


CONTEMPORARY – CLARA CHEMTOV

Clara Chemtov is a versatile dance artist, choreographer, screendance director, and sound designer working across stage, screen, and collaborative performance disciplines. Holding a Bachelor of Fine Arts in Dance from York University—with a specialization in choreography and performance—and a Diploma of College Studies in Dance from Cégep de Saint-Laurent, Clara has supplemented her academic background through extensive training with companies and artists such as Rock Bottom Movement, MingBo Lam, and Compagnie Virginie Brunelle. As a performer, she has interpreted works for prominent Canadian companies and showcases, including Free Flow Dance Theatre, the Canadian Opera Company’s Free Concert Series, Fall for Dance North, and Company Trip the Light Fantastic, alongside appearances in acclaimed music videos directed by Vincent René-Lortie and Brittney Canda.

As a creator, Clara choreographs independently and through Projet Ambidanse, presenting work internationally and across Canada at venues including the Edinburgh Festival Fringe, Arts On Site in New York, and the Montreal Fringe Festival, where her production Are You Listening? garnered nominations for Best Choreography and Best Emerging Artist Production. Her stage choreography has been developed and showcased through institutions like The Music Gallery Residency Program, the York Dance Ensemble, and Fall for Dance North’s International Presenters Program. Expanding her artistic vision behind the camera, Clara has directed and edited award-winning dance films selected for festivals such as the Providence Children’s Film Festival and Lift-Off Sessions. Complementing her movement career, she is an active commissioned sound designer, composing intricate soundscapes for celebrated contemporary artists and collectives including Jane-Alison McKinney, Syreeta Hector, Lawton Dance Collective, and Frog in Hand.


TAP – TRINA JOSDAL

Trina Josdal, originally from Moose Jaw, SK, found her passion for tap dancing under the guidance of Barb Jackman during her early years. Influenced by a dance philosophy grounded in the essence of jazz music and a deep appreciation for swing rhythms, Trina undertook a transformative journey in 2002, relocating to New York City. Fully dedicated to the pursuit of her passion for tap dance, this marked a significant chapter in her artistic journey.

Amidst a European tour with “Magic of the Dance,” Trina had the privilege of collaborating with exceptional tap dancers, exposing her to the historical tapestry of the art form. A pivotal moment came about when she discovered an audition for the esteemed musical “42nd Street,” directed by Marc Bramble, in Toronto. Seizing the opportunity, Trina made her inaugural visit to the city that would eventually become her home.

Subsequent to the conclusion of the “42nd Street” Asian tour, Trina Josdal made Toronto her permanent residence, where she currently resides with her family. Her dream of giving back to the community as an instructor, creator, and performer has become a reality, allowing her to continue her artistic journey. 

Trina, together with co-creator Amy Lintunen, lead Vintage Taps—a tap dance company with a background of meaningful projects. A notable highlight for Vintage Taps was crafting the original tap dance musical “The Laundry List,” which played to sold-out shows and won the Spirit of Fringe award in 2019. Recently, they hosted tap dance legend Jane Goldberg from NYC in Toronto for a weekend of workshops and documentaries and produced the original show “Jane Goldberg: Tales of a Tap Goddess.” Vintage Taps has also curated numerous Speakeasy shows, highlighting the captivating connection between tap dancing and jazz music.

 

 
 

THEATRE DANCE – STEPHEN COTA

Stephen (Steve) Cota (he/him) is a choreographer, movement director, and arts educator rooted in dance-based storytelling. Now based in Toronto, he has leapt, turned, and made funny faces on stages across Canada, and found what would be his creative home at The Stratford Festival in 2000.
He began his career as a performer where he had the chance to learn from Susan Strohman, Wayne Cilento, John Doyle, Des McAnuff, Antoni Cimolino, Robert McQueen, and many more artists and collaborators who would shape his career for years to come.Steve’s leap from performer to creative is owed to Donna Feore. Donna took Stephen under her wing, and helped him blossom as a creative, growing from her dance captain to her Associate Choreographer and Assistant Director up until the 2020 cancelled productions of Chicago and Here’s What It Takes.
His work as a creative at The Stratford Festival led Steve to choreographing plays, where he has been fortunate to collaborate with Antoni Cimolino, Scott Wentworth, Morris Panych, and Peter Pasyk. Steve has workshopped new dance-based work with the New Works Department at The Stratford Festival since 2017.
Steve’s story-based approach to choreography is grounded in using classical theatre jazz techniques with a modern flair to contemporize movement for current audiences. His work is inviting and conversational, and focuses on character intentions and thematic storytelling.
During the pandemic, Stephen founded In The Wings, a theatre training platform where he works with artists at all levels of their career to further their training and development. It has been the joy of his career to work with aspiring artists, helping guide them with the knowledge and practical skills to break into the industry. He is currently continuing this work on faculty at Sheridan College and the University of Toronto.Choreography credits include: Mary Poppins (The Grand Theatre), Frankenstein Revived, Midsummer Night’s Dream, The Mad Woman of Chaillot, Romeo and Juliet, The Hypochondriac (Stratford Festival)
 
 
 

URBAN -KAILEY KELLY

Kailey (“Kailz”) Kelly is an award-winning instructor, choreographer, adjudicator, and dance
educator based in Niagara, Ontario. Kailey trained and competed in a variety of styles growing up, but her love for learning about, and training in hip hop dance emerged early on. Kailey was awarded scholarships by industry professionals, which encouraged her to pursue opportunities such as training with BeDiscovered in Las Vegas, and competing in the World Street Dance Championships.

Throughout her post-secondary education, Kailey competed with her University team, while earning a BA in Sociology and Gender Studies, as well as her Master’s degree in Social Justice & Equity Studies. With over a decade of teaching experience, Kailey is now a Hip Hop Program Director and runs both competitive and recreational hip hop education programs.
Her choreography is often recognized for reflecting fundamental hip hop techniques through the execution of creative and age-appropriate concepts, choreography, and music mixes. Kailey’s ability to bring the best out in her students can be felt when they leave her classroom, and her effectiveness as an instructor can be witnessed through the full out energy, confidence, and
commitment of the dancers who perform her choreography on stage. Kailey has experience with leading high energy workshops and concentrated hip hop intensives.

Her classes provide the valuable balance of fun and hard work, while emphasizing the importance of learning hip hop
fundamentals and history. Kailey strives to create an inclusive class environment where
students feel empowered and confident to be their authentic selves.

 

BALLET – DEBBIE WILSON

Debbie Wilson began her professional dance career at the age of 12 with the Cincinnati Ballet Company, where she became a soloist and one of the company’s rehearsal assistants. Leaving the ballet world, she worked for The
American Dance Machine, touring Japan and the USA as the company’s dance captain/performer.

In 1980 she moved to Canada to become the rehearsal director/dancer of Les Ballets Jazz de Montréal. Debbie went on to work with Howard Richard & Dancers, the Judith Marcuse Repertory Dance Company, the Randy Glynn Dance Project, Ballet Jörgen and many independent choreographers across Canada and the United States.

As a choreographer, she created a repertoire of critically acclaimed productions including Aphrodite Unveiled, Raphael is whispering, and Homo Office Sapiensis, which in 2002 received a Dora Mavor Moore nomination for Outstanding New Choreography. In October 2005, Wilson was honoured to be invited to present Planetarium at the United Nations Assembly Hall in Geneva, Switzerland, as one of the events celebrating the 60th Anniversary of the United Nations.

Since 2009, Debbie has been focusing on two elements of dance. One is mentoring female dance artists who have been developing their own unique choreographic voices including Lua Shayenne, Roshanak Jaberi, Victoria Mata Soledad and Esie Mensah. And the second is deconstructing alignment-based techniques (ballet, Horton and yoga) to their functional elements which allows a
greater range of body types to safely tackle these physical forms.


JAZZ – FELICIA MASTROMATTEO

Felicia Mastromatteo is from Niagara, Ontario, and is first and foremost a dance educator. With dance being a consistent focus and main source of joy for the majority of her life, evolving into a disciplined and passionate educator felt like a natural progression in Felicia’s career path. Felicia’s dance training and teaching experience is well-rounded, with consistent time and energy spent working in all genres.

She completed the Dance Masters of America TTS at the University of Buffalo, and is a certified adjudicator through the Dance Leadership Institute. She has over 15 years of experience educating children of various ages and skill levels in dance– understanding and appreciating the journey of the classroom and what it takes to get a routine on stage. Felicia has choreographed for Canada’s Walk Of Fame, as well as for IDO World Championships. Felicia is known for clean, polished, and age-appropriate routines. She is passionate about rooting her choreography and training in safe, foundational technique. Felicia is a highly accredited teacher and choreographer, and has received several awards specifically for her work in Acro, Jazz, and Contemporary.

Felicia is also a studio director and owner, and spends 4-5 days weekly in the classroom teaching, and choreographing. She also leads an apprenticeship program through which she encourages and trains students to become dance educators themselves. Through mentorship, Felicia equips students with teaching tools, strategies, and experience to prepare them for future opportunities in their own career paths. Felicia strongly believes that dance teaches incredible life lessons, and is thrilled to be able to share her knowledge with dancers and young artists. 

KENNEDY ANDERSON – Mini Movers

An accomplished dancer, educator, and scholar, Kennedy is a versatile artist who combines high-level competitive performance with rigorous academic dedication as an Honours Specialization student in Interdisciplinary Medical Sciences at Western University. Bringing over six years of instructional and choreographic experience from Somerville Dance Academy, she has trained dancers across all ages and skill levels in technical fundamentals and creative expression. Currently a varsity dancer at Western training across jazz, contemporary, lyrical, tap, and acro, Kennedy’s extensive accolades include representing Team Canada Tap, taking class with the Radio City Rockettes, and receiving the 2022 Hope Leadership Award and NUVO Breakout Artist honors, alongside multiple invitations to World Performers Canada and being named Inspire Dance Challenge’s 2024 National Top Soloist. With deep technical credentials—including PAEC Pre-Professional certifications in Ballet, Jazz, and Tap, as well as Advanced Acro—she brings a disciplined, empathetic, and detail-oriented approach to both the studio classroom and the stage.


 

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